Welcome to Part 2 of Sequential Sunday’s look at the highly varied and completely mind-blowing work of 3-D processing master Ray Zone! In part 1 we saw numerous examples of depth-defying art from early issues of Zone’s self-published title The 3-D Zone. Though this series constitutes a sizable chunk of his 1980’s output, Zone applied his skills to the comics of numerous other publishers from the decade of the independent publishing boom as well, including Eclipse Comics.
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In last week’s installment of Sequential Sunday we took a look at the work of the great Al Williamson who passed away on June 12. As an addendum to that article I’d like to give some suggestions to those who’d like to explore the work of this comic art master via some of the books currently in print as well as those that are soon to be released.
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In a career that spanned more than five decades, Al Williamson (1931-2010) earned a reputation for being a genre-defining science fiction artist, constant encourager of up and coming comics artists, and an all around wonderful human being who enriched the lives of others through his loyalty and friendship.
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Since writing my last Sequential Sunday entry about the supremely talented artist Mark Schultz, I have been giving much thought to his influences and what the work of those artists have meant to me as well. The name that kept entering my mind the most, one whose work I’ve admired since childhood, is that of Al Williamson. Even though Williamson has had a long and highly esteemed career spanning several decades, the work of his that invariably jumps to my mind is the one that I was exposed to first – his comic book movie adaptations, specifically, the 80’s editions for Marvel of The Empire Strikes Back, Return of the Jedi and Blade Runner.
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